Gatto's second album represents a complete excursus of his personal and professional paths, into which he combines music, words, studies, researches and experiments. Along with the album, split in two parts and to be released on both his labels Out-ER and Pregnant Void, the artist is also releasing his first essay, named as the album; the latter offers a theoretical and practical analysis on the use of sounds and frequencies in diverse areas of interest, dedicating space to music therapy and primordial techniques as well as their application in the current digital and virtual era.Ranging in between his favourite club niches, and collaborating with producers with whom he has shared embryonic projects, DJ booths or vinyl releases, Gatto prepares the audience for a complete journey into his idea of club music and grooves, featuring wide aesthetics and emotional resonance. It goes from the gentle tidiness of ambient and deep techno No Te Olvides De Acordarte', Today Will Be Tomorrow ft. Kaelan', When I Was With You' and Limbo' to the intrinsic vitality of break beat, dub and funk tracks Caronte' and Holographic Drama' continuing with the dynamism of a typical Detroit techno brand of sound reinterpreted in a modern context, like in Forbidden Area' and Amazonia ft. Aubrey', and finishing with the joyful wildness of distorted sounds, in Jamming On The Couch ft. The Analogue Cops, OL047 in collaboration with long-time friends OL047 and The Analogue Cops; the last track, Il Canto Dell'Anima', is a partial excursion into the electroacoustic sound, articulated by ethereal soundscapes and piano arpeggios. The whole work is enriched by samples, field recordings and filtered vocals, sound elements which have been deeply explored in the first part of the album, confirming Gatto's aesthetical aptitude as for the club's universe as for the aesthetical sonorous research dimension.