Here are a few reviews from the late 90's published upon its original release in 1997.
Studio 32 & Luis Radio presents Carole Sylvan "I Can't Stand The Night"
Following their success with such gems as 'Feel Good All Over' with Taka Boom, 'Show Your Feelings Inside' featuring Mila and "Tarantino's Way" on the All Star Deluxe Dj Sampler double pack, Studio 32 show no signs of slowing down with their latest release on NYC venerable KULT Records. Featuring the powerhouse vocals of diva Carol Sylvan, who steps to the forefront on "I Can't Stand The Night", Studio 32 & Luis Radio conjures up a lavish musical affair that should provide much needed relief for garage addicts across the globe. Ms. Sylvan positively simmers over Studio 32's deliciously smooth production, on a tune that evokes a smoky, afterhours atmosphere. The minimalistic 'Work Dub', featuring live guitars, are for those who like their grooves on a more stripped-down level. Be sure to watch out for 'Keep On Giving', the forthcoming release by Studio 32 featuring vocals by Mila on Kult Records, which will also feature mixes by 95 North, Criccco Castelli and UK junglist Jonathan Moore.
—June Joseph (Billboard, Paper, BPM)
Studio 32 & Luis Radio presents Carole Sylvan "I Can't Stand The Night"
As a preview of the Miami's craze, Kult Records delivers to us some hot test pressings that announce the renewal of the "Kult" label. With "I Can't Stand The Night", Carole Sylvan gives her vocals a whole new dimension on a bed of cool vibraphone and some nice keyboards. Check also the dub that sounds like a clash between DJ Sneak and some funky french house... not quite original, but ultra groovy and a sure bomb for the dancefloors. The audacity comes from Cricco Castelli's "Funky Skunker". Retro disco atmosphere but modern as the same time on the A side, when the B side offers a pumping house that fades into some real jazzy vibes. From the beginning to the end, Cricco plays with powerful sounds, spicy baselines and driving sax and keyboard solos. Finally, the single ends up with a kitschy reprise of Thelonious Monk's melancholic "Round Midnight". All That Jazz!
—Coda Mag (Switzerland)
