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EVERY DOG HAS THAT CERTAIN SPOT: YOU SCRATCH IT, AND YOUR FOUR-LEGGED FRIEND STARTS KICKING OUT IN HIGHEST ECSTASY, LOSING ALL CONTROL OF HIS REFLEXES. THE TUNES OF TIMBOLETTI WORK PRETTY MUCH LIKE THAT. ONLY HE'S USING FULL-BODIED BASS LINES TO STIMULATE HIS AUDIENCE. IT ALMOST SEEMS LIKE THE BODIES ON THE DANCEFLOOR GET INVISIBLY CONNECTED TO THE MEMBRANES OF THE SPEAKERS AND THEIR RHYTHMIC MOVEMENT. ON TOP OF THAT, TIMBOLETTI EMPLOYS PSYCHELICIOUS SOUNDS AND MELODIES, ENCHANTED SAMPLE SCRAPS AND A PINCH OF ACID A COCKTAIL THAT TICKLES THROUGH THE BRAIN OF THE LISTENER AS IF SOMEBODY POURED A GLASS OF CHAMPAGNE INTO IT. THE ESSENCE OF FORWARD THRUST AND DEEPNESS, ON THIS EP IN FIVE DIFFERENT VARIATIONS AND TREE FURTHER REMIXES.

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Hintersee

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