Conrad Clifton's own remix of his albums title track. A thought provoking and personal take on an already unique piece. On the surface, it's clear that the original song has been manipulated like a hip-hop sample - reversed, chopped and rearranged. But a deeper dive reveals the hyper-focused orchestration of the highly creative producer. Where the sombre piano of the original track was used to tug at the soul, a new combination of acoustic guitar and deep sub bass brings the listener to a new level of optimism. This VIP is genre fluid - simultaneously existing on the spectrum of electronic, hip-hop, r&b, pop and alternative. The last single to be released, leading up to Clifton's 'TIME' EP in April.