My Beatport

Log in to start using My Beatport!

My Beatport lets you follow your favorite DJs and labels so you can find out when they release new tracks. Log in or create an account today so you never miss a new release.

Create an Account
You're not following anyone yet!

My Beatport lets you follow your favorite DJs and labels so you can find out when they release new tracks. So go follow someone!

View My Beatport

My Artists View All


My Labels View All


My Carts


Bass Music producer Gary J Robinson lays down an intense mix of Drum & Bass, Dubstep, Future Bass, House and Synthwave as he slips between his studios in the UK and Mexico. Best described as an unstable cocktail of dark cinematic grandeur and retro fuelled synth tones, The Death Beats music strikes a balance between ominous atmospherics, sweeping melodies and all out dance-floor chaos. Emerging from the Drum & Bass scene of the late nineties, Gary started out by collaborating with a number of game changing producers including Drumsound & Simon Bassline Smith, Spirit and Total Science. His early releases went on to gain the support of heavy-weight DJs such as Fabio, Goldie and Grooverider. The Death Beats sees Gary draw on inspiration from every corner of the Dance Music world in order to create his signature sound. Along the way he’s been lucky enough to collaborate with a host of legendary artists including Crystal Clear, Doctor P, Eric Martin, Yah Kid K and pioneering UK Folk duo Harbottle & Jonas. Arizona based songwriter Alisse Garn, whose vocal talents under the guise of Little Panda have also played an important role in defining The Death Beats sound. ‘Streets of Rage’, their collaboration with Mexican Drum & Bass producer Isaac Maya was released on Jessica Audiffred’s A-Records label too much acclaim and is generally considered to be the first Synthwave Drum & Bass anthem. The Death Beats continue to lay down a dynamic selection of upfront electronic music in the style of artists including Dimension, Diskord, Nero, Sub Focus and The Prodigy.