- Release Date 2013-12-23
- Label Wind Horse Records
- Catalog WHR019
Vipul's original starts with tribal percussive grooves and introduces a low, extended bass before building with deep, heady chords, all acting as just a tease of what's to come. Its true bass line emerges with a bounce as the synths open up, and eventually a short, laser-honed stab combines itself with the rhythmic mix. Finally in the breakdown, a xylophone melody with a South African feel comes to the forefront before epically winding back into the regular order of the track.
The first remix of the release comes from Glasgow's Ross Couch, owner of the Body Rhythm label. He makes more use of the xylophone melodies, layering different variations beautifully on top of one another, and also gives more light to the sparsely used vocal of the original. Orchestral strings add tension while the other elements take a rest at the midpoint. The whole affair is undercut by a distinctly UK style bass line riff.
Wind Horse's own Hamza takes the song into a much different territory with a dragging bass and some subtle piano play amongst spaced-out synth interchanges. Around the halfway mark the kick takes a few hits off on its four-to-the-floor pattern and a new groove is delineated by a now constricted low end before returning to full force.
Juan Mejia runs the labels Dutchie Music and Grouper Recordings out of Miami, but his remix adds a Chicago warehouse flare to the original, especially noticeable in the bass notes. He strips the track down to its melodic components, all while maintaining drive, and allows elements to shape shift into new forms as others remain consistent, carrying the song forward.
Overall, this evocative offering from Vipul shows his transformation isn't merely ensuring survival as an artist, but rather gaining him higher ground with each new rung on the hierarchical ladder.