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Instead of working with formulas, Daniel Watts tries to bring back the philosophy of the pioneers of electronic music (and the futurists of the beginning of the 20th century) and the fathers of Techno in the 80s, always trying to push barriers and create new sounds and textures with any kind of possible sound source, like TB303s, old VHS tapes, scrap iron, Commodore computers, altered analog synths and cassete portastudios from the 80s.
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