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Carlos Mayoral (Madrid 1981), it exists a trajectory with common features among people who lived the unusual night of Madrid in the late 90s.Carlos belongs to that breed of artists who shaped his musical identity in the unrepeatable mythical early mornings in clubs like Soma and Cocoon. Teen then, whose thirst for fun and music was transformed years later in an irrepressible creative urge, the same that permeates the music of the artist to preserve the best of that time: the cult of the dance.Theirs is a musical story with much attachment on the dance floor, in the dj sets in different clubs of Madrid, as in his role as music producer: in ‘The evenings’, EP published in 7Senses, exhibits a rhythmic pattern set that carries flashes minimalist carefully arranged, primitive rhythms that make the dance ritual the perfect excuse for the development of black voices that call to communion on the dance floor.His productions can be understood as a bridge between the strength of his clubber past (the burning of basslines and it's like dressing of Acid Tracks or Slow Acid Trans). His penchant for gentler rhythms and textures that are due to the demand for sophisticated ears and close to what has been called Deep House or NuDisco, getting a harmony that, far from being unnatural, result in pure sound, true.
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