What would have become of Sascha Sonido, if he had not decided for music? Fortunately we don’t have to ask this question because the smart guy from Konstanz, the tiny town at the moony lake constance, counts to the artists, which continuous burning off fireworks on the dancefloors at the clubs all around the world. Equal if Germany, France, Spain, Romania, Belgium, Swiss, Austria or Egypt, Sascha certainly belongs to the international artists of the techno- and house-scene which are most in demand. His dj- sets and tracksmake many people a lit t le happier each weekend because his sound with his inimitable and spirited style, which ranges from deep to minimal and techhouse, leaves a permanent impression. Somehow he has the right touch for the right track to the right time without losing the Sonido Sound. His productions fit inthesuccess story of Sascha glueless and cogent. Releases on labels like VIVa Music, Kling Klong, Monique Musique, Traum Schallplatten, Imprint, Trapez ltd., Material Series, Monza Ibiza Records are not standing for a high degree on quality of his tracks only, but show how exactly he strike the nerve of time with his music. This also explains the many requests of artists like Pascal Feos, Marin Eyerer, Boris Brejcha, Patrick Kunkel etc. for remixes. But finally it are the releaseslike the Companero Ep on Steve Lawler’s Label VIVa Music, some tracks like El Mariachi and Dirty Jobs on Kling Klong or one of the summerhits 2012, “PAPILLON” on Supdup, which became hits and timeless classics and care for that we’ll never will know what would have become of Sascha Sonido if he had not decided for music. But who’s interested as long as Sascha Sonido is still improving the world with his music on his own way.